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If Ulrike Müller's work only rarely takes the form of paint applied to canvas, she is nevertheless involved with painting. In her works on paper and enamel paintings, as well as her prints and woven rugs, Müller is known for taking up the legacies of early twentieth-century abstraction and its abounding lacunae, cul-de-sacs, undersides, and outliers. Less remarked upon are the wall paintings that serve, quite literally, as the frequent backdrop for this refiguration of abstraction. In thin layers but archi

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If Ulrike Müller's work only rarely takes the form of paint applied to canvas, she is nevertheless involved with painting. In her works on paper and enamel paintings, as well as her prints and woven rugs, Müller is known for taking up the legacies of early twentieth-century abstraction and its abounding lacunae, cul-de-sacs, undersides, and outliers. Less remarked upon are the wall paintings that serve, quite literally, as the frequent backdrop for this refiguration of abstraction. In thin layers but archi

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