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Since the beginning of his career in the late 1960s, Pablo Echaurren has engaged with disparate media, from zines to comics, from painting to assemblage and the internet, creating an extensive body of work that defies neat categorisations. Drawing parallels between the historical avant-gardes and the countercultures from the 1960s to the early 2000s, his oeuvre has always been consistent in its intent to address and cooperate with non-specialists. Pablo Echaurren: Art for the Many is the first monograph in

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Since the beginning of his career in the late 1960s, Pablo Echaurren has engaged with disparate media, from zines to comics, from painting to assemblage and the internet, creating an extensive body of work that defies neat categorisations. Drawing parallels between the historical avant-gardes and the countercultures from the 1960s to the early 2000s, his oeuvre has always been consistent in its intent to address and cooperate with non-specialists. Pablo Echaurren: Art for the Many is the first monograph in

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