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This volume is dedicated to Max Bill, one of the most versatile artists of the twentieth century, whose work was driven by the pursuit of beauty as the highest expression of harmony, balance, unity, space, and logic.
Although best known as a painter, sculptor, designer, and graphic artist, Bill was also an architect. He studied at the Bauhaus between 1927 and 1928, where he developed the principles that would shape his rational, objective, and non-figurative approach to art. Through his personal and profe

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This volume is dedicated to Max Bill, one of the most versatile artists of the twentieth century, whose work was driven by the pursuit of beauty as the highest expression of harmony, balance, unity, space, and logic.
Although best known as a painter, sculptor, designer, and graphic artist, Bill was also an architect. He studied at the Bauhaus between 1927 and 1928, where he developed the principles that would shape his rational, objective, and non-figurative approach to art. Through his personal and profe

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